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Reading Lessons: The Art Thief

In the evening, I like to escape into a novel and I'm almost always reading one. (Hardly a weekend goes by without a visit to my neighborhood library -- luckily mine is open on Saturdays and Sundays.)

Last night, I came across this paragraph in my current novel, The Art Thief, by Noah Charney. It's entirely consistent with everything we've learned in our recent research on how people think about "the arts" -- through the lens of the contemporary protagonist who is tracking a series of thefts of paintings.

 

"[Art crime] was considered high class. At the top level of the caste system, art crime was socially acceptable, even thought of as prestigious and intriguing. It was the only serious crime for which the public tended to root for the criminals....The average citizen felt somewhat detached, and sometimes threatened, by fine art. It was considered elite and elusive...and therefore frightening to many. It was with some satisfaction that the public read about gracefully orchestrated art thefts. It was a combination of voyeurism into a glamorous world apart, and a satisfying jab at an institution that felt exclusive."

 

 


Fine Arts Fund