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Americans for the Arts -- "the nation's leading nonprofit organization for advancing the arts in America" -- is hosting an online discussion about support for the arts. They invited Margy to participate by blogging about The Fine Arts Fund's new research report on communicating about the arts. Here's the host's description of the discussion:
"The Private Sector Initiatives team at Americans for the Arts is leading efforts to increase partnerships between the arts and the three main areas of the private sector: business, foundations, and individuals by partnering with a national network of Arts & Business Councils, Business Committees for the Arts and United Arts Funds. These partnerships deliver economic and social benefits to communities, generating jobs, and galvanizing neighborhood revitalization efforts.....Follow the Private Sector Blog Salon on March 8-12 as more than twenty leaders from across the country discuss issues related to private sector giving and the arts."
Margy is answering one of the questions posed in her invitation to participate: "So, how do we make the case for supporting the arts in 2010?" While many of the bloggers are focusing on private sector fundraising, our research is designed to provide a way to engage the community in a broader discussion about support for the arts.
We'll be cross-posting Margy's posts here this week.
Join the national conversation on the Americans for the Arts blog site!
We’ve noticed a lot of chatter about finding a new way to talk about what we’re passionate about. We all want a value proposition that works to create support for the arts.
We followed the long exchange on the artsjournal pages and noticed that Michael Kaiser put it on his wish list for the holidays. And of course, this conversation is designed to answer the question: how do we make the case for supporting the arts in 2010? What is the message that works with private sector supporters?
Many of us have spent years searching for the strongest possible message and the best case on which to build support for the arts. Yet, the messages we have used, and successfully integrated in the dialogue across the country, have not yielded the broad sense of shared responsibility that we seek.
So, in late 2008, leaders of the Fine Arts Fund in Cincinnati embarked on a year-long research initiative designed to develop an inclusive community dialogue leading to broadly shared public responsibility for arts and culture.
We concluded that our work with the community through arts and culture must be based on a foundation that incorporates a deeper understanding of the best way to start the conversation in order to achieve that shared sense of responsibility.
People are always telling us that they like the arts. And we know they mean it. For “insiders” (everyone reading this blog, for sure!), participating, donating, and going to shows is what we do all the time.
Most everyone else sees the arts differently—and that’s critical for us to remember. Others have nothing against art—but we haven’t given them the lens through which to see arts & culture as a benefit to the entire community, even those who don’t participate.
Right now the public is most likely to see art strictly as entertainment: what to do this weekend, etc. And that’s great—when we are trying to build audiences, sell tickets and memberships.
But when we want people to donate to our united fund, support a better arts policy, or communicate with decision makers, not many are taking an action step. That’s because when art is entertainment, supporting it is a highly personal decision—based on personal preferences and resources like time and money.
We determined that we needed more analysis and knowledge of public views and assumptions about arts and culture to develop the foundation for a conversation that leads to the necessary increased shared responsibility and public support.
Our conversation has to engage participants as residents of the community, not as consumers. Because while most people feel positively toward the arts, we will have to change the conversation in order to motivate action by the public (by which I mean the private sector too) for the arts.
In my next blogs, I’ll share 1) the key organizing idea to communicate with the goal of building broadly shared responsibility for the arts, and 2) discuss the need for an echo chamber across the country.
The private sector has a leading role to play in creating the echo chamber and it’s our job to provide the communications strategy, the message that we can all use.
